06 Oct 2023
by Sarah Holloway

An art work of a steal pan band, abstract the individuals are in a drawn form with bright yellow, green and blue colours.
Illustration of popular 1970s steel pan band 'North Stars Steel Orchestra', formed in Huddersfield. (© TOWNSOUNDS developed by Let's Go Yorkshire)

Let the band play on

The musical heritage of the steel pan sound was celebrated in Luton and Leeds this year with events exploring the history of carnival. While in Luton local band the ‘Revellers’ still entertain crowds each year, up north in Kirklees a special pop-up exhibition included a photograph of one of the earliest recorded steel pan bands in England. An article in the Huddersfield Examiner from 1957 features a group called ‘Sunrise Melody’, made up of twelve young men from Grenada. They used oil drums from Imperial Chemical Industries, where many of them worked, to craft their finely tuned instruments and would rehearse in the local church hall. 

If that photo had not been taken, that band would never have been documented because a lot of the families, have only just seen this photograph for the first time. Many of these people didn’t even know that their grandad was part of a band. It’s things like this that are very significant and important, particularly for those communities whose stories would seldom get recorded and documented, when they made Kirklees their home in the 1950s-70s.

Mandy Samra (Curator)

TOWNSOUNDS, a heritage project developed by Let’s Go Yorkshire

Hear the choir sing

The Fisk University Jubilee Singers were a choral group that toured Europe and America, singing in front of dignitaries including Queen Victoria. Nine of the eleven singers were former enslaved people, and they brought ‘spirituals’ (aka slave songs) to a wide audience. On their first tour of England in 1873 they visited Hull (East Riding of Yorkshire) three times - the city where William Wilberforce, a leader in the abolition of the slave trade was born. They toured his house and took back a portrait to hang in their university.  

The original group was formed out of a singing class at the university in Nashville, Tennessee, and toured to raise money for it. They gained the funds to build the University’s Jubilee Hall, but the touring schedule was punishing, and the individual singers did not receive anything from it. They disbanded in 1878 but other groups followed their lead. Wonderfully there are still recordings of them singing – including the earliest recording of a male quartet performing Swing Low Sweet Chariot, that is hauntingly beautiful. 

Formal photograph of a group of Victorian men and women.

Photo of the Fisk Jubilee Singers commissioned by Queen Victoria to send to Fisk as a gift. The singers featured are: Maggie Porter, E. W. Watkins, H. D. Alexander, F. J. Loudin, Thomas Rutling, Jennie Jackson, Mabel Lewis, Ella Sheppard, Maggie Carnes, and America W. Robinson. (© WikiCommons)

Lighting up the stage

Ira Aldridge, the son of a minister, was born in New York and came to England aged about 17 to become an actor. Racist abuse led him to leave London but, although not without troubles, he found acclaim elsewhere touring Britain and Europe for the rest of his life. He performed in Berwick-upon-Tweed in the 1840s where the local newspaper reported of his performance of Othello: ‘he was perfectly master of his author’s text and meaning.’ Berwick Record Office (a brilliant leader for our heritage festival) has various copies of newspaper reports like this in its archive.
Chalk sketch of a man with a high forehead, dark curly hair and a moustache wearing a bow tie.
Sketch of talented actor, Ira Eldridge by Taras Shevchenko (1858). (© WikiCommons)

The circus comes to town

Pablo Fanque was the first black circus owner in Britain. Born William Darby in Norwich in 1810, he took an apprenticeship with the circus proving extremely skilled as an acrobat and horseman. Also business savvy he set up his own Circus Royal in 1842 that toured the country to popular acclaim. He visited Leeds in Yorkshire often as part of the touring circuit, and made it his last resting place; to lie beside his first wife who was tragically killed in the city after a stage collapse. A band marched ahead of a spectacular funeral procession with thousands of people lining the streets for him. This year Leeds Civic Trust unveiled a blue plaque to this respected entrepreneur during Heritage Open Days with various events to celebrate his story.
Black and white circus poster depicting a man on a horse waving a top hat.
William became Pablo, an extraordinary 19th century entrepreneur. (© Leeds Libraries)

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